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Handel: Giulio Cesare
Glyndebourne
Sarah Connolly; Angelika Kirchschlager; Danielle de Niese; Christophe Dumaux; Patricia Bardon; Christopher Maltman
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Mozart: La Clemenza di Tito
Opéra national de Paris
Susan Graham; Hannah Esther Minutillo; Catherine Naglestad; Ekaterina Siurina; Roland Bracht; Christoph Prégardien
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Rossini: Il Viaggio a Reims
Théâtre du Châtelet, Paris
Anastasia Belyaeva; Vladislav Ouspenski; Larissa Youdina; Daniil Shtoda; Anna Kiknadze; Alexeï Safiouline
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Shostakovich: Lady Macbeth of Mtsensk
Dutch National Opera
Eva-Maria Westbroek; Christopher Ventris; Carole Wilson; Vladimir Vaneev; Lani Poulson; Ludovít Ludha
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Tchaikovsky: Swan Lake
Paris Opera Ballet
Agnès Letestu; José Martinez; Karl Paquette; Paris Opera Orchestra; Vello Pähn
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Puccini: La Bohème
Teatro Real
Inva Mula; Aquiles Machado; Chorus and Orchestra of Teatro Real; Jesús López Cobos
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Massenet: Manon
The Royal Opera House
Sarah Lamb; Vadim Muntagirov; Ryoichi Hirano; Gary Avis; Kristen McNally; James Hay
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Handel: Giulio Cesare
Glyndebourne
Sarah Connolly; Angelika Kirchschlager; Danielle de Niese; Christophe Dumaux; Patricia Bardon; Christopher Maltman
David McVicar’s production manages to combine serious insight with entertainment, bringing Handel’s masterpiece to life in a powerful, convincing and highly intelligent way. Filmed in High Definition and recorded in true surround sound. "Christie conducts Handel beguilingly - in fact, I’d go so far as to suggest that nobody does Handel better." (Opera) "...the Opus Arte version is important in offering a fine period performance of this most popular of the Handel operas. William Christie conducts the Orchestra of the Age of Enlightenment and an outstanding cast in an account at once scholarly, lively and refreshing..." (The Penguin Guide)
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Mozart: La Clemenza di Tito
Opéra national de Paris
Susan Graham; Hannah Esther Minutillo; Catherine Naglestad; Ekaterina Siurina; Roland Bracht; Christoph Prégardien
Mozart’s last opera is a deep, humane reflection on relationships, power and forgiveness. With the composition of some of the most beautiful passages in his oeuvre, Mozart has succeeded in giving this opera a noble sobriety and transparent instrumentation, to which this commanding production does full justice on all levels. Susan Graham’s most extraordinary Sesto and Christoph Prégardien’s superb Tito set the standard for this riveting performance, conducted by the outstanding Sylvain Cambreling. "An evening of overwhelming beauty." (Le Monde ) "Everybody was taken by the warmth and the emotion in Susan Graham’s voice as well as her breathtaking acting." (Le Figaro)
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Rossini: Il Viaggio a Reims
Théâtre du Châtelet, Paris
Anastasia Belyaeva; Vladislav Ouspenski; Larissa Youdina; Daniil Shtoda; Anna Kiknadze; Alexeï Safiouline
Alain Maratrat's highly original and clever production, developed over several seasons by the Théâtre du Châtelet and the Mariinsky Theatre, took both theatres by storm. A radiant Valery Gergiev whips up a cast of brilliant young singers to unbelievable heights in a colourful, witty rendering that reinvigorates Rossini's last Italian opera. Recorded in High Definition and true surround sound. "A bubbly, spiritual spectacle…" (Le Figaro) "The depth of talent that the Mariinsky Academy and Gergiev have formed is impressive. Many major opera houses would hesitate before programming a Rossini opera that demands so many expert Rossinians." (Opera News)
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Shostakovich: Lady Macbeth of Mtsensk
Dutch National Opera
Eva-Maria Westbroek; Christopher Ventris; Carole Wilson; Vladimir Vaneev; Lani Poulson; Ludovít Ludha
Shostakovich’s musically brilliant opera about love, lust, power and oppression is fabulously well played by the Concertgebouw Orchestra in this authoritative production. Stage director Martin Kusej builds on formidable musical strengths to forge a drama that explores the shadowy boundaries between victims and perpetrators. "...a first-rate protagonist in Eva-Maria Westbroek, a Katerina of Jean Harlow-like allure, who had all the vocal power and stamina that the role demands…" (The Financial Times) "Mariss Jansons, an inspired interpreter of Shostakovich, conducts a searingly dramatic performance of Lady Macbeth of Mtsensk..." (The Penguin Guide)
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Tchaikovsky: Swan Lake
Paris Opera Ballet
Agnès Letestu; José Martinez; Karl Paquette; Paris Opera Orchestra; Vello Pähn
Agnès Letestu, a feminine and warm Odette, and José Martinez, a convincing, pale, vulnerable prince Siegfried, are the stars of this deeply passionate, ‘dream’ version of Swan Lake. Rudolf Nureyev’s interpretation of Tchaikovsky’s lyrical ballet, far from being a clichéd stereotype of this celebrated masterpiece, is an exposé of astonishingly powerful and recognisable human emotions. " Readers used to traditional views of the ballet should see this gripping newcomer." (The Penguin Guide) "…Letestu is outstanding as Odile, both in her technical prowess and artistic interpretation." (Culture Kiosque) "Vello Pähn is quite simply one of the best dance conductors I’ve ever heard." (BBC Music Magazine)
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Puccini: La Bohème
Teatro Real
Inva Mula; Aquiles Machado; Chorus and Orchestra of Teatro Real; Jesús López Cobos
Giancarlo del Monaco’s cinematic production of Puccini’s popular masterpiece takes its place among the great interpretations of modern times, in a landmark recording filmed with high definition cameras and in true surround sound. "This Bohème is a glorious vindication of traditional staging at its imaginative, re-creative best." (Gramophone) "Although set in a period sixty or so years later than Murger’s original novel (Scènes de la Vie de Bohème), the 1890s scenes are fully realistic and the imaginative lighting enables quick and subtle changes of location as well as focusing, when appropriate, on the more intimate scenes." (Musicweb International)
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Massenet: Manon
The Royal Opera House
Sarah Lamb; Vadim Muntagirov; Ryoichi Hirano; Gary Avis; Kristen McNally; James Hay
"A beloved masterpiece" (The Daily Express ★★★★★) "This popular, three-act ballet, with beautiful designs by Nicholas Georgiadis, is never out of the Royal Ballet’s repertory for long... Ladies, wear your waterproof mascara — only those with a heart of ice could fail to be moved by this tragic tale." (The Jewish Chronicle ★★★★★) "MacMillan’s retelling of Abbé Prévost’s cautionary tale of a young man brought low by an amoral young beauty has been a mainstay of the Royal Ballet repertoire since 1974. The current revival is vividly played and danced by some first-rate casts. " (The Financial Times ★★★★★)
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